(from the show viewed on 03/08/2018)
Everyone loves a good bit of improv, and this was the first piece of ‘straight’ improv with no extra augmentations that I’ve seen for a while. It was refreshing and relaxing to just enjoy a bit of simple good old-fashioned improvisation from a group with a knack for it.
Continue reading “REVIEW: ‘Blind Mirth’ by Blind Mirth”
Sometimes you stumble into shows at the EdFringe; shows you know almost nothing other than it happened to be on next and the description was interesting. And occasionally those shows turn out to be real gems. Number, Please, I’m happy to say, was one of those shows. A female lead, 1950s, spy comedy, it manages to get the most potential out of each of those elements.
Continue reading “REVIEW: ‘Number, Please’ by Paprichoo”
As per usual (apart from 2016 when stuff went a little awry), I’ll be endeavouring to write a review for every show I see at this year’s Edinburgh Festival Fringe!
It’s one of my favourite things about the festival now, and it gives me the opportunity to keep my writing muscles flexed and in practice.
If anyone reading this happens to be taking a show to Edinburgh this year and would like me to include it in my reviews then do drop me an email with a press release at:
Continue reading “Fringe Reviews”
*Note: The following review was written over a month after the fact due to writer’s block and my being a disaster of a person.*
Brought to us by the ever-talented Degrees of Error, creators of Murder She Didn’t Write, The Writers’ Room provides a new and creative set-up for an improv show. It’s very much a ‘what it says on the tin’ kind of show; a group of screenwriters pick through crumpled suggestions in a wastepaper bin trying to find something with which they can create the next big blockbuster.
Continue reading “REVIEW: ‘The Writers’ Room’ by Degrees of Error”
I had to run to make this show. And even then I missed the first minute or so due to a slow-moving queue. I was ushered into the theatre in the middle of what I could tell was a gorgeous opening number, and I was sold from there. I’d been a little worried that maybe this new musical wouldn’t live up to the legacy of its predecessor, Scarlett Lane, but I had nothing to worry about.
Every single aspect of this show is given ONE. HUNDRED. PERCENT.
Continue reading “REVIEW: ‘Cashmere’ by October Boy Productions.”
Antonym Theatre were one of my favourite companies the first year I came to Fringe, and I remain forever gutted that I had to miss them last year because of scheduling conflicts. This year, however, fortune once again smiled on me, and allowed me to see another show by this creative and talented company.
Continue reading “REVIEW: ‘Side Orders’ by Antonym Theatre”
Yet another Shakespearean outing, and another creative interpretation of a classic work by the bard. I do love a good reimagining of a Shakespeare play, as long as it stays true to this source material. Luckily this production manages to both respect and honour the original play, whilst having an immense amount of fun with it.
Continue reading “REVIEW: ’12’ by 3BUGS Fringe Theatre and UoB LGBTQ Association”
My initial vocalisation of my thoughts on this performance immediately afterward was “Bizarre but Brilliant”. I’ve had a few days since then to mull things over but I think it remains the most concise and accurate way I can describe this show.
(SPOILERS MAY BE FOUND AHEAD)
Continue reading “REVIEW: ‘Follow Suit’ by Silent Faces”
There’s ways of doing a Greek Tragedy. If you have to compress a Greek Tragedy into an hour, there are ways to compress it. There are ways to do Greek Tragedy as physical theatre. Unfortunately, this company doesn’t seem to know them.
Continue reading “REVIEW: ‘Bacchae’ by Flying Pig Theatre Company.”
This was something rather different to anything I’d seen before. Part play, part singalong, part educational lecture. Somehow, these three things, for the large part, work together.
Continue reading “REVIEW: ‘Fix’ by Worklight Theatre”