I had to run to make this show. And even then I missed the first minute or so due to a slow-moving queue. I was ushered into the theatre in the middle of what I could tell was a gorgeous opening number, and I was sold from there. I’d been a little worried that maybe this new musical wouldn’t live up to the legacy of its predecessor, Scarlett Lane, but I had nothing to worry about.
Every single aspect of this show is given ONE. HUNDRED. PERCENT.
Continue reading “REVIEW: ‘Cashmere’ by October Boy Productions.”
Sometimes, shows have a promising premise or story but are, for whatever reason, unable to execute it satisfactorily. Wishing on a Stopgap is, I fear, one of these shows.
Continue reading “REVIEW: ‘Wishing on a Stopgap’ by Newcastle University Theatre Society”
Everyone enjoys a good bit of chaos in a comedy show, chaos is naturally humorous. It happens a lot in improv shows where said chaos comes from the actors’ ability to spontaneously create ridiculous scenarios, and then having to keep with one another’s adlibs and new ideas.
It takes a different kind of skill entirely to script the kind of mania and hijinks that are created on the spot in improv. Neither is truly superior than the other, but both require very disperate type of talent to pull off. Cream Tea and Incest falls into the scripted chaos category and, with a title like that, has a lot of expectation to live up to.
Continue reading “REVIEW: ‘Cream Tea and Incest’ by Benjamin Alborough”